dc.contributor.author |
Papaodysseus, C |
en |
dc.contributor.author |
Fragoulis, DK |
en |
dc.contributor.author |
Panagopoulos, M |
en |
dc.contributor.author |
Panagopoulos, T |
en |
dc.contributor.author |
Rousopoulos, P |
en |
dc.contributor.author |
Exarhos, M |
en |
dc.contributor.author |
Skembris, A |
en |
dc.date.accessioned |
2014-03-01T01:23:58Z |
|
dc.date.available |
2014-03-01T01:23:58Z |
|
dc.date.issued |
2006 |
en |
dc.identifier.issn |
0162-8828 |
en |
dc.identifier.uri |
https://dspace.lib.ntua.gr/xmlui/handle/123456789/17149 |
|
dc.subject |
Archaeological image edge analysis |
en |
dc.subject |
Archaeological object reconstruction |
en |
dc.subject |
Curve fitting |
en |
dc.subject |
Image line pattern analysis |
en |
dc.subject |
Statistical pattern matching |
en |
dc.subject.classification |
Computer Science, Artificial Intelligence |
en |
dc.subject.classification |
Engineering, Electrical & Electronic |
en |
dc.subject.other |
Curve fitting |
en |
dc.subject.other |
Image analysis |
en |
dc.subject.other |
Painting |
en |
dc.subject.other |
Pattern matching |
en |
dc.subject.other |
Statistical methods |
en |
dc.subject.other |
Archaeological image edge analysis |
en |
dc.subject.other |
Archaeological object reconstruction |
en |
dc.subject.other |
Geometrical archetypes |
en |
dc.subject.other |
Image line pattern analysis |
en |
dc.subject.other |
Statistical pattern matching |
en |
dc.subject.other |
Stencils |
en |
dc.subject.other |
Wall paintings |
en |
dc.subject.other |
Drawing (graphics) |
en |
dc.subject.other |
algorithm |
en |
dc.subject.other |
article |
en |
dc.subject.other |
artificial intelligence |
en |
dc.subject.other |
automated pattern recognition |
en |
dc.subject.other |
computer assisted diagnosis |
en |
dc.subject.other |
evaluation |
en |
dc.subject.other |
information retrieval |
en |
dc.subject.other |
methodology |
en |
dc.subject.other |
painting |
en |
dc.subject.other |
Algorithms |
en |
dc.subject.other |
Artificial Intelligence |
en |
dc.subject.other |
Image Interpretation, Computer-Assisted |
en |
dc.subject.other |
Information Storage and Retrieval |
en |
dc.subject.other |
Paintings |
en |
dc.subject.other |
Pattern Recognition, Automated |
en |
dc.title |
Determination of the method of construction of 1650 B.C. wall paintings |
en |
heal.type |
journalArticle |
en |
heal.identifier.primary |
10.1109/TPAMI.2006.183 |
en |
heal.identifier.secondary |
http://dx.doi.org/10.1109/TPAMI.2006.183 |
en |
heal.language |
English |
en |
heal.publicationDate |
2006 |
en |
heal.abstract |
In this paper, a methodology of general applicability is presented for answering the question if an artist used a number of archetypes to draw a painting or if he drew it freehand. In fact, the contour line parts of the drawn objects that potentially correspond to archetypes are initially spotted. Subsequently, the exact form of these archetypes and their appearance throughout the painting is determined. The method has been applied to celebrated Thera Late Bronze Age wall paintings with full success. It has been demonstrated that the artist or group of artists has used seven geometrical archetypes and seven corresponding well-constructed stencils (four hyperbolae, two ellipses, and one Archimedes' spiral) to draw the wall painting ""Gathering of Crocus"" in 1650 B.C. This method of drawing seems to be unique in the history of arts and of great importance for archaeology, and the history of mathematics and sciences, as well. © 2006 IEEE. |
en |
heal.publisher |
IEEE COMPUTER SOC |
en |
heal.journalName |
IEEE Transactions on Pattern Analysis and Machine Intelligence |
en |
dc.identifier.doi |
10.1109/TPAMI.2006.183 |
en |
dc.identifier.isi |
ISI:000238950800001 |
en |
dc.identifier.volume |
28 |
en |
dc.identifier.issue |
9 |
en |
dc.identifier.spage |
1361 |
en |
dc.identifier.epage |
1371 |
en |