dc.contributor.author |
Stefanakis, N |
en |
dc.contributor.author |
Sarris, J |
en |
dc.contributor.author |
Cambourakis, G |
en |
dc.contributor.author |
Jacobsen, F |
en |
dc.date.accessioned |
2014-03-01T01:29:02Z |
|
dc.date.available |
2014-03-01T01:29:02Z |
|
dc.date.issued |
2008 |
en |
dc.identifier.issn |
0001-4966 |
en |
dc.identifier.uri |
https://dspace.lib.ntua.gr/xmlui/handle/123456789/19090 |
|
dc.subject |
Power Output |
en |
dc.subject.classification |
Acoustics |
en |
dc.subject.other |
Computer simulation |
en |
dc.subject.other |
Speech synthesis |
en |
dc.subject.other |
Speech transmission |
en |
dc.subject.other |
Quadratic sources |
en |
dc.subject.other |
Regularization |
en |
dc.subject.other |
Sound equalization |
en |
dc.subject.other |
Acoustic variables measurement |
en |
dc.subject.other |
acoustics |
en |
dc.subject.other |
article |
en |
dc.subject.other |
calculation |
en |
dc.subject.other |
energy |
en |
dc.subject.other |
global sound equalization |
en |
dc.subject.other |
loudness |
en |
dc.subject.other |
mathematical analysis |
en |
dc.subject.other |
performance |
en |
dc.subject.other |
priority journal |
en |
dc.subject.other |
signal detection |
en |
dc.subject.other |
simulation |
en |
dc.subject.other |
sound |
en |
dc.subject.other |
sound intensity |
en |
dc.subject.other |
sound transmission |
en |
dc.subject.other |
Humans |
en |
dc.subject.other |
Models, Statistical |
en |
dc.subject.other |
Power (Psychology) |
en |
dc.subject.other |
Sound |
en |
dc.subject.other |
Speech Perception |
en |
dc.title |
Power-output regularization in global sound equalization (L) |
en |
heal.type |
journalArticle |
en |
heal.identifier.primary |
10.1121/1.2816580 |
en |
heal.identifier.secondary |
http://dx.doi.org/10.1121/1.2816580 |
en |
heal.language |
English |
en |
heal.publicationDate |
2008 |
en |
heal.abstract |
The purpose of equalization in room acoustics is to compensate for the undesired modification that an enclosure introduces to signals such as audio or speech. In this work, equalization in a large part of the volume of a room is addressed. The multiple point method is employed with an acoustic power-output penalty term instead of the traditional quadratic source effort penalty term. Simulation results demonstrate that this technique gives a smoother decline of the reproduction performance away from the control points. (c) 2008 Acoustical Society of America. |
en |
heal.publisher |
ACOUSTICAL SOC AMER AMER INST PHYSICS |
en |
heal.journalName |
Journal of the Acoustical Society of America |
en |
dc.identifier.doi |
10.1121/1.2816580 |
en |
dc.identifier.isi |
ISI:000252290900002 |
en |
dc.identifier.volume |
123 |
en |
dc.identifier.issue |
1 |
en |
dc.identifier.spage |
33 |
en |
dc.identifier.epage |
36 |
en |