dc.contributor.author |
Passia, Yota
|
el |
dc.contributor.author |
Πασσιά, Γιώτα
|
el |
dc.date.accessioned |
2017-07-13T07:58:51Z |
|
dc.date.available |
2017-07-13T07:58:51Z |
|
dc.date.issued |
2017-07-13 |
|
dc.identifier.uri |
https://dspace.lib.ntua.gr/xmlui/handle/123456789/45195 |
|
dc.identifier.uri |
http://dx.doi.org/10.26240/heal.ntua.7142 |
|
dc.description |
ΔΠΜΣ «Αρχιτεκτονική - Σχεδιασμός του Χώρου», Κατεύθυνση Α: Έρευνα στην Αρχιτεκτονική: Σχεδιασμός - Χώρος - Πολιτισμός, Διπλωματική εργασία. |
el |
dc.rights |
Default License |
|
dc.subject |
Τυπολογία |
el |
dc.subject |
Τοπολογία |
el |
dc.subject |
Αστικές περιστάσεις |
el |
dc.subject |
Πολυδιάστατος χώρος |
el |
dc.subject |
Τυπικά χωρικά πεδία |
el |
dc.subject |
Christopher Alexander |
en |
dc.subject |
Typology |
el |
dc.subject |
Topology |
el |
dc.subject |
Urban circumstances |
el |
dc.subject |
Patterns |
el |
dc.subject |
Complexity theory |
el |
dc.title |
Τυπολογία αστικών περιστάσεων |
el |
dc.title |
Typology of urban circumstances |
en |
heal.type |
masterThesis |
|
heal.classification |
Αρχιτεκτονικά μοντέλα |
el |
heal.classification |
Αρχιτεκτονικές μέθοδοι |
el |
heal.classification |
Οργάνωση και αρχιτεκτονική συστημάτων μνήμης |
el |
heal.classification |
Classification |
en |
heal.classification |
Architecture |
el |
heal.classificationURI |
http://data.seab.gr/concepts/ae20f7c3e24f49c365959ed248fce9630c212cf0 |
|
heal.classificationURI |
http://data.seab.gr/concepts/a6e89c15701d477724e858695a49085d998c0621 |
|
heal.classificationURI |
http://data.seab.gr/concepts/bfab3aeb3ee470933c959fbaefb61840492ea8f8 |
|
heal.classificationURI |
http://zbw.eu/stw/descriptor/19031-1 |
|
heal.classificationURI |
http://lod.nal.usda.gov/11890 |
|
heal.language |
el |
|
heal.access |
free |
|
heal.recordProvider |
ntua |
el |
heal.publicationDate |
2016-10-31 |
|
heal.abstract |
The term "drawing" or "design" no longer appears sufficient to describe the production of artificial objects
including architectural form, as respectively, the term 'creation' ceased to pose an explanation for the
production of natural things. Architectural form, understood here as a complex and dynamic system, within
the biological example, proposes that we borrow the terms of production from the biological organisms in
order to better describe both the new architectural form and a specific design methodology.
Type itself, an accurate model for the kind and range of relations managed by the form, follows a path of
absolute stability to constant modulation throughout the history of typologies. From typological structures we
aim to topological systems as a consistent paradigm within which form can be designed to vary in sync with
the dynamic fields of information. Our interest lies in the "design" of the design process, since the design itself
becomes redundant or secondary in terms of such an information flux. In this framework, we propose a
machine-like design system that typifies architecture (model or form) into a matrix of ‘spatial circumstances’, a
system that acknowledges form as information in variance.
Christopher Alexander's 253 Design Patterns are introduced, setting them as the monads of our analytical and
synthetical design system, hereinafter referred to as Monads of Spatial Circumstances (MSC).
They are re-established as the form's extensive boundaries (or diagrams) and are undergone a dual
classification process. The initial classification of difference in kind, sorts them into the form’s four distinct
genera or dimensions: the genera of exteriority, cohesion, integration, differentiation. The second classification
of difference in degree, sets the MTC within each genus as a set of four degrees of the genus’s capacity to
vary, in reference to the primary rule of porous exclusivity. In that manner, the genus’s differentiation is
organised through the variation of the same MSC, that produce both the maximum and minimum of each
dimension.
Finally, the form's production processes and the intensive differences that have initiated those processes, are
used to clearly define the design system, an MSC Machine, useful to identify or produce any form in regards to
the before mentioned parameters, as illustrated in the MSC ‘table’.
The MSC Machine functions as Manuel DeLanda ’s abstract diagram or body plan, introducing in biology
terms, the form's phylum, a self-organisational system for analysis and intervention in and of architecture. |
en |
heal.advisorName |
Παρμενίδης, Γεώργιος |
el |
heal.advisorName |
Parmenidis, Georgios |
en |
heal.committeeMemberName |
Ξένου, Βάνα |
el |
heal.committeeMemberName |
Xenou, Vana |
en |
heal.committeeMemberName |
Lavva, Riva |
el |
heal.committeeMemberName |
Λάββα, Ρίβα |
el |
heal.academicPublisher |
Εθνικό Μετσόβιο Πολυτεχνείο. Σχολή Αρχιτεκτόνων Μηχανικών |
el |
heal.academicPublisherID |
ntua |
|
heal.numberOfPages |
200 |
|
heal.fullTextAvailability |
true |
|